Abstract
Most scholars interested in movie-going have focused their attention on the early twentieth century, when going to the cinema was a common part of public life. More recently, however, sites of film consumption have become increasingly dispersed, encompassing both communal and private spaces. Examining 'movie night' - an informal, ritualised event in which contemporary families watch a film together at home or at the theatre - this article aims to broaden our understanding of the phenomenon of movie-going by recovering its present day practices. This analysis draws on the experiences of university students who recall movie nights as a set of comforting and enriching performances that had particular meanings within the complex network of their families. This essay argues that while contemporary movie-going practices are far less public than they once were, many of the fundamental elements of cinema's sociability that existed in cinema's classic era persist into the present.
| Original language | English (US) |
|---|---|
| Pages (from-to) | 96-102 |
| Number of pages | 7 |
| Journal | Media International Australia |
| Issue number | 139 |
| DOIs | |
| State | Published - May 2011 |
ASJC Scopus subject areas
- Cultural Studies
- Communication
Fingerprint
Dive into the research topics of ''When the movie started, we all got along': Generation y remembers movie night'. Together they form a unique fingerprint.Cite this
- APA
- Standard
- Harvard
- Vancouver
- Author
- BIBTEX
- RIS